Positions Berlin

Based on an expanded concept of the image, the light-space-movement and time in the network of relationships between art and everyday life are the fundamental aspects of Gunda Förster's artistic work. Her space-related works can be understood as painting with contemporary methods or places of body and space perception that play with spatial reflection, but also social and perceptual-psychological conditions from the most diverse creative means. An important element of her work is defining and breaking boundaries - the architecture of space, of the image, the boundary between art and everyday life, between art, architecture, design and advertising, practical and theoretical debate, product and process, private and public, and reality and appearance. The formal reduction of her works determines their symbolic quality. The significance is only revealed by linking the most diverse aspects and their meanings. Essentially, Gunda Förster’s works focus on the correspondence between light, space, movement, and time as aspects that are constantly present in everyday life as well as in art.

Josef Hirthammer has been working as a visual artist for over 40 years. His œuvre is extremely complex and defies categorization. The broad artistic range is reflected in the different design mediums, such as painting, drawing, photography, digital painting, sculpture, and installations. In terms of content, Josef Hirthammer focuses on portraits as well as ecological and philosophical themes, which he approaches through his work series. He is an outspoken nature enthusiast who transforms his encounters with nature into art objects. He is primarily interested in the producing, generating, creative, and active nature, which becomes effective from itself and which in the philosophical tradition has been equated with the source of all finite things. The artist, who lives and works in Fürth, views nature as a macro- and microcosm of its own with a unique aesthetic. This way of thinking provides him with inspiration for his works of art.

Constantin Schroeder's figurative paintings are impressive, moving images with a profound sense of depth. His pictorial protagonists are fascinating characters that never let us go. Internalizing the present with all its complexities, he uses a very reduced color palette. Mostly executed in large formats, the scenes captivate the viewer with their characteristic narratives. Schroeder reaches deep into the archive of the human psyche. His works reveal an enigmatic iconography, which includes young heroes posing interpersonal mysteries. The artist, who lives and works in Berlin and studied theology, philosophy, and art history, also illuminates the darker sides of life in an extraordinary, hyper-realistic style. These are powerful images that captivate us with their enigmatic pictorial content. Schroeder leaves some parts of the image white, which allows the viewer to develop his or her own interpretation and understanding of the image through open associations.

A vast, seemingly infinite plain forms the foundation for the scene: As if from nowhere, people appear on the surface of the image. They emerge from layers rich in nuances of light white or hazy gray, leaving plenty of room for interpretation. The artist Leszek Skurski, who is a native of Poland, repeatedly devotes his paintings to figurative storytelling. In his works, he depicts many stories, that remain open-ended and allow the most diverse interpretations. They are paintings depicting narratives that seem to have paused or stopped in action, and Skurski captures these forms with a narrative density. Many evanescent moments of our existence and interactions are captured on the canvas like excerpts or snapshots between their occurrence and disappearance. Hence, the images of the artist, who lives and works in Fulda, are reminiscent of film stills or still images that outline a content, character, or mood. 

In Miriam Vlaming's large-scale paintings in egg tempera, the painter breaks down the boundaries between man and nature as well as past and reality. She creates a harmonious symbiosis between these supposed opposites through hazy layers created by the application and removal of paint. In doing so, she allows the depicted figures to emerge from a natural, dreamlike environment. Through this aesthetic, Vlaming opens the viewer's eyes to the multifaceted aspects and philosophical questions of being human, which she addresses in her paintings. Miriam Vlaming always has the overall picture in mind in her mysterious pictorial worlds. She plays with ambiguous metaphors. “Disruptions and contradictions interest me ... the moment after or before something has happened...not the history." Her egg tempera paintings satisfy a deep human need for knowledge. The important member of the New Leipzig School studied at times with Neo Rauch. She was a master’s student under the direction of Arno Rink and is represented in numerous public and private collections.