ART.FAIR Köln

Josef Hirthammer has been working as a visual artist for over 40 years. His œuvre is extremely complex and defies categorization. The broad artistic range is reflected in the different design mediums, such as painting, drawing, photography, digital painting, sculpture, and installations. In terms of content, Josef Hirthammer focuses on portraits as well as ecological and philosophical themes, which he approaches through his work series. He is an outspoken nature enthusiast who transforms his encounters with nature into art objects. He is primarily interested in the producing, generating, creative, and active nature, which becomes effective from itself and which in the philosophical tradition has been equated with the source of all finite things. The artist, who lives and works in Fürth, views nature as a macro- and microcosm of its own with a unique aesthetic. This way of thinking provides him with inspiration for his works of art.

"Condensation is the starting point of my painting."

- Leszek Skurski

This guiding principle forms the foundation upon which Leszek Skurski builds his visual worlds. His journey began at the Academy of Fine Arts in Gdańsk, where, at the age of just 22, he was honored with the Polish State Prize for Painting. Over the decades, he has perfected a signature style that moves between the fleeting and the enduring, and today is recognized as Neo-Impressionism. His works are the result of heightened attentiveness and a persistent commitment to decisions that, once placed on the canvas, must stand on their own.

In these compositions, white becomes the true protagonist. It is not an empty background, but a pulsating, expansive surface that lays bare every movement and mark without protection. What remains in this space has passed the test of reduction. Skurski’s figures, often caught in waiting or transition, do not embody mere actions but a quiet, existential presence. By letting the faces recede in favor of posture, the viewer’s gaze is freed to perceive a being that transcends the individual.

It is this deliberate omission of detail that conjures a calm in which time loses its usual pace. Fleeting moments of daily life, memories of what has been seen, and deep sensations merge here until they coalesce into a single, concentrated situation. A space emerges in which the everyday loses its casualness and acquires a timeless validity. What remains is the essential, a silent and powerful assertion of the moment that resonates far beyond the edges of the canvas.