ART.FAIR Köln

Constantin Schroeder's figurative paintings are impressive, moving images with a profound sense of depth. His pictorial protagonists are fascinating characters that never let us go. Internalizing the present with all its complexities, he uses a very reduced color palette. Mostly executed in large formats, the scenes captivate the viewer with their characteristic narratives. Schroeder reaches deep into the archive of the human psyche. His works reveal an enigmatic iconography, which includes young heroes posing interpersonal mysteries. The artist, who lives and works in Berlin and studied theology, philosophy, and art history, also illuminates the darker sides of life in an extraordinary, hyper-realistic style. These are powerful images that captivate us with their enigmatic pictorial content. Schroeder leaves some parts of the image white, which allows the viewer to develop his or her own interpretation and understanding of the image through open associations.

Salzburg-born sculptor Alfred Haberpointner creates wooden sculptures that oscillate between an abstract, geometric form and a figurative image. With his work series spanning over the last two decades, Haberpointner proves how he has innovatively dealt with wooden materials and freed himself from the roots of craft-based, naturalistic wooden sculpture. In his "chopped images," he gives the wooden material an intense presence through systematic, rhythmic sections, which emerge through close observation and exploration of the textured surfaces and result in a dance between light and shadow. He is concerned with form in his works, particularly in the treatment of wood in all possible nuances and shadings. In each of his artworks, one can see the traces of the work process: Haberpointner subjects his reliefs and sculptures to a powerful, mechanical work process that leaves traces on the works. Through beating, chopping, and burning, textures emerge that give the works a relief-like surface, which lacks any mathematical precision and exudes a special aura. Alfred Haberpointner is represented in major art collections, such as the Würth Collection.

A vast, seemingly infinite plain forms the foundation for the scene: As if from nowhere, people appear on the surface of the image. They emerge from layers rich in nuances of light white or hazy gray, leaving plenty of room for interpretation. The artist Leszek Skurski, who is a native of Poland, repeatedly devotes his paintings to figurative storytelling. In his works, he depicts many stories, that remain open-ended and allow the most diverse interpretations. They are paintings depicting narratives that seem to have paused or stopped in action, and Skurski captures these forms with a narrative density. Many evanescent moments of our existence and interactions are captured on the canvas like excerpts or snapshots between their occurrence and disappearance. Hence, the images of the artist, who lives and works in Fulda, are reminiscent of film stills or still images that outline a content, character, or mood. 

Mirko Schallenberg's paintings are modern still lifes. At first glance, the artist's keen sense for textures and well-balanced compositions, as well as materiality and spatiality, is apparent. He paints objects from his own extensive collection of materials and composes them in a new context. The beginning of his process includes the creation of sketches and a three-dimensional model. The purpose of the model is only to be used as an inspiration for the final pictorial vision and is not intended to be painted as a realistic interpretation. The painting style is however realistic, and Mirko Schallenberg places his objects as protagonists in a deliberate interaction with meticulous, impressive care. The very aesthetically and skillfully arranged everyday objects are executed in powerful and textural haptics and interact with each other. It is a constructive, metaphysical style of painting that deals with the mysteries of our reality.