KiafSEOUL

03.Sep - 06.Sep 2022

We are happy to be in Seoul for the first time this year!

We present the Polish artist Leszek Skursi, in a multi-layered and impressive solo show at KiafSEOUL 2022. 

Leszek Skurski was born in Gdansk and has lived and worked in Fulda for many years. His pictures tell of an infinite expanse without horizon and boundaries, mostly kept only in white. But this white is laid out in many sensitive layers, have the finest nuances and challenge the eye to explore the sensitive brushstrokes, strong putty surfaces and finest traces of work. In this multi-layered white, Skurski sketches his people with a few striking brushstrokes, seemingly helplessly exposed to emptiness, but also acting with confidence. These skillfully abstracted individuals assert themselves confidently in their boundlessly vast surroundings. And it is precisely this powerful contrast of infinite surface and small human figures that creates this strong dramaturgy of his paintings.

Leszek Skurski

"Condensation is the starting point of my painting."

- Leszek Skurski


This guiding principle forms the foundation upon which Leszek Skurski builds his visual worlds. His journey began at the Academy of Fine Arts in Gdańsk, where, at the age of just 22, he was honored with the Polish State Prize for Painting. Over the decades, he has perfected a signature style that moves between the fleeting and the enduring, and today is recognized as Neo-Impressionism. His works are the result of heightened attentiveness and a persistent commitment to decisions that, once placed on the canvas, must stand on their own.

In these compositions, white becomes the true protagonist. It is not an empty background, but a pulsating, expansive surface that lays bare every movement and mark without protection. What remains in this space has passed the test of reduction. Skurski’s figures, often caught in waiting or transition, do not embody mere actions but a quiet, existential presence. By letting the faces recede in favor of posture, the viewer’s gaze is freed to perceive a being that transcends the individual.

It is this deliberate omission of detail that conjures a calm in which time loses its usual pace. Fleeting moments of daily life, memories of what has been seen, and deep sensations merge here until they coalesce into a single, concentrated situation. A space emerges in which the everyday loses its casualness and acquires a timeless validity. What remains is the essential, a silent and powerful assertion of the moment that resonates far beyond the edges of the canvas.


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